Two months ago, I took a look at how many of the bestselling Kindle genre titles were self-published. I had two purposes in mind: first, to see whether there were any differences in the success of self-publishing between the big four genres (Romance, Mystery/Thrillers/Suspense, Sci-Fi, and Fantasy).
The second purpose was to provide some more data for the initial Author Earnings report. The report indicated that self-publishers were doing incredibly well within genre ebooks, but one of the more widespread criticisms was that the report was just a snapshot that might not represent anything more than that moment in time.
I thought that was a valid critique, but I also suspected it would prove false — Amazon is amazingly consistent from day to day and month to month, and the AE report looked at a substantial chunk of data. I was betting that later studies would show similar results.
Among the report’s conclusions was that genre fiction accounted for about 70% of all Kindle ebook sales, and that self-published titles accounted for roughly half of that. I used a different methodology, and a worse sample size, but when I checked in February, self-publishing’s share of the bestselling Kindle titles was as follows:
- Romance: 49%
- Mysteries/Thrillers/Suspense: 11%
- Science Fiction: 56%
- Fantasy: 49%
Three of the four genres were roughly 50% self-published, with the glaring exception of the thriller market. Meanwhile, here was each genre’s overall share of the Kindle market (methodology explained in the original post):
- Romance: 40%
- Mysteries/Thrillers/Suspense: 20%
- Science Fiction: 5%
- Fantasy: 6.33%
This added up to 71.33% of all Kindle ebook sales. I pulled my numbers a few weeks after the first Author Earnings report collected its data, yet my conclusions mirrored theirs: about 70% of all Kindle sales were in these four genres, and of those sales, close to half were of self-published titles.
It’s been two months since then. How do things look today? First, here are the four genres broken down by method of publication — self-published; through a small or medium press; Amazon publishing imprints; and by the Big 5, which includes major genre houses like Harlequin and Baen, where appropriate.
ROMANCE
- Self-published – 59%
- Small/medium – 3%
- Amazon – 12%
- Big 5 – 26%
MYSTERY/THRILLER/SUSPENSE
- Self-published – 26%
- Small/medium – 1%
- Amazon – 15%
- Big 5 – 58%
SCIENCE FICTION
- Self-published – 53%
- Small/medium – 7%
- Amazon – 12%
- Big 5 – 29%
FANTASY
- Self-published – 45%
- Small/medium – 6%
- Amazon – 8%
- Big 5 – 41%
There are a few differences between the first grab and this one. The percentage of bestselling self-published romance titles is up by a good percentage. Thrillers are way up, more than double the initial look. Meanwhile, self-published sci-fi and fantasy titles are slightly fewer. Amazon’s publishing imprints are up, representing just under 12% of the total, compared to a little over 9% the first time.
I wouldn’t draw too much from any of these changes, though. You can hardly conjure a pattern out of two whole samples drawn from a methodology that’s prone to variance. What’s most interesting to me here is how little is different: in three of the four major genres, self-published titles still represent about 50% of the bestsellers. Thrillers continues to lag behind, but this month’s look suggests it’s not quite as tough for self-published titles to compete as the original breakdown suggested.
Okay, so what about the genres’ overall market share? Here’s how it breaks down this time:
- Romance – 35.2%
- Thrillers – 26%
- Science Fiction – 5.4%
- Fantasy – 6.4%
This adds up to 73% of overall Kindle ebook sales. Crazy.
Compared to February, sci-fi and fantasy are essentially the same. Romance is somewhat smaller, but thrillers are up by a decent percentage. As before, however, I wouldn’t try to read patterns in the differences — I’m not at all sure that romance sales are actually down. The sample sizes involved make this part of the data prone to a fair amount of variance.
Again, what’s most interesting to me isn’t the differences. It’s how similar these numbers are a full two months later — these four genres continue to comprise ~70% of Amazon’s ebook sales, and roughly half of those sales are of self-published books.
That could be the entire post, really.
For context, this morning I was reading a cool post by Courtney Milan about estimating the value of your book’s rights. In it, she compares the value of a hypothetical trad contract vs. what you’d earn self-publishing it. Overall, it’s a very reasonable piece that isn’t about banner-waving for one side or the other, but is rather about assessing the money value of either option so you can make the best decision about which route to take.
The problem, sort of, is that she compares both examples over a 35-year span. On the one hand, when you’re talking about book contracts that can for last decades beyond your death–although she points out the rather neat fact that all authors can reclaim their rights after 35 years–it’s perfectly valid to assess the long-term pros and cons about signing such a contract.
On the other hand… who knows how things are going to look 5 years from now, let alone 35.
So, given that the future of the book industry and ebooks in particular is so unknowable, there’s an argument to be made that up-front money–i.e. an advance–should be weighted more heavily than long-term royalty projections. Which isn’t to say I think Courtney’s wrong; her projections sound very reasonable, and thus helpful in reaching a decision about what to do with your book. This is just something to think about.
Anyway, over the course of discussing the ongoing chaos that is present-day publishing, I went to look at how many new ebooks are currently being published. Late last December, I noted there were 1.8 million titles in the Kindle store. Checking the numbers today, there are just over 2.1 million.
300,000 new titles in a little under 8 months.
Prorate that for the rest of 2013, and that’s roughly 472,000 new books.
1293 every day.
54 per hour.
A new ebook is being published to Amazon almost every minute.
I don’t have any particularly strong insight into this. Besides maybe “Holy shit.” But, to circle back to long-term projections, if books continued to be published at the current rate, then 35 years from now, the Kindle store would contain about 18,620,000 books. Nearly nine times as many titles as are available today.
Or not, because 35 years from now, there may well not be a “Kindle” store. I have no earthly idea.
For the record, I’ll readily admit that “Oh man I have no idea how to even begin to approach this” is far less useful than “Here is one method to help you assess the value of your book rights in regards to whether to sell them to a publisher or maintain them for yourself.”
I think Courtney has laid out a very good process for decision-making. It’s a great post. But hard numbers can provoke confidence. I would like to use a few other numbers to illustrate how far away publishing in 2013 might be from publishing in 2048: one (book per minute), half a million (per year), nine (times as many as we have now).