Available here.
I gave No Strings Attached a B. On some level, the very format of me professionally grading movies is inherently stupid–as if I’m the teacher and these movies are my little students trying their hardest to pass my indisputable standards–but I like grades as a reader and a critic. As a reader, they help me place a review in context; as the critic, they help me define my overall feelings toward a movie.
To get its B, No Strings Attached probably benefited from low expectations. An.. Ashton Kutcher rom-com. Oh. All right, I will go see that and tell other people what to think of it. I’m sure this will be a fine use of everyone’s time.
But then it turned out to be fairly funny. And while the fuckbuddy-turned-romance relatioship between Kutcher and Natalie Portman was nothing that special or groundbreaking, there were a lot of sideplots and supporting characters that gave that central relationship leeway to not be terribly interesting. Like Kutcher’s dad, former sitcom star Kevin Kline. And their friends’ burgeoning little relationship. And Kutcher’s TV job. That stuff, all good.
So when I think, just a day after writing the review, that maybe No Strings Attached was more of a B-, or even a C+ (the grade of deeply flawed but often entertaining stuff), and maybe I was overrating it because I expected it to be a pan of broiled bullshit, eventually I can only shrug. I had a good time. A much better one than I anticipated. A time that I would peg as a B: I could have been watching something better, but I enjoyed myself while I was there.
Available here.
When it comes to stuff I plan to review, I add movies to my Netflix queue for a bunch of reasons. Some of them are movies I’ve seen before and know will make for a good writeup. Some get recommended by my friends or by Netflix itself. Others I toss on there because some anonymous internet person made them sound interesting.
I heard about Better Off Dead as a movie where a teenager repeatedly tries to kill himself. Sounds awesome; you could mine a lot of black comedy out of that concept, and maybe expose some dark truths about adolescence most people won’t touch with a ten foot pole that’s being held by an illegal alien. But when I sat down to watch Better Off Dead, the suicide attempts weren’t only not the focus of the movie, they barely registered. They were just quick gags.
On one level, I was disappointed I wasn’t watching the movie I’d imagined. But Better Off Dead quickly established its own thing as a churning, riotous gag factory. Soon enough, I didn’t care it wasn’t what I’d signed up for. That’s the mark of a lasting movie.
I recently dug up a fantasy novel I wrote four years back with the idea of putting it up on Kindle. Even if it sells little, I could use any extra money it brings in each month; besides that, I may be doing some work on an ebook for someone else soon, and figured I could brush up on my formatting.
In the process of doctoring up its HTML tags, I read the first chapter and ran into an interesting phenomenon: it wasn’t as good as I remembered.
When I was sending it around to agents, I was confident. It was funny and action-packed and carried an in-depth mythology. Every chapter had seen at least a second draft, most a third, and some a fifth or sixth. By the time I had it all fixed up later that year, it was my first work I felt really proud of.
And on revisiting it a few days ago, parts of that first chapter were fine. But a bunch of the sentences, to put it charitably towards myself, are not how I’d write them now. And frankly, it took too long to tell what it had to tell: I could cut 10% without trying, 20% if I got out the axe and grew my evil mustache. Possibly, agents were right to turn this down.
To me, this phenomenon’s interesting not because it’s new, but because it’s old. Something like this happens to me every time I dig up something I wrote a few years previously–when I finish reading, I sit back, look around to make sure no one saw me, and think “Damn, I’m glad I don’t write like that anymore.”
The more experience I get and the more bad words I get out of me, the further between I expect these revelations to be; pretty recently, I reread “Steve Kendrick’s Disease,” a story I wrote nearly three years ago, and my only real complaint was how I used to handle dialogue tags (should have integrated them into the characters’ actions more!). But I doubt this phenomenon will ever disappear completely. I hope it doesn’t: that would mean that, somewhere along the way, I stopped learning.
Based on its January release and could-go-either-way trailers, I expected The Green Hornet to be pretty bad. It wasn’t.
I would hardly say I’m in Seth Rogen backlash mode at this point, but I’ve definitely cooled on him a little, if only to the point where I don’t think he automatically makes a movie better just by being in it. He’s used well in The Green Hornet, though, playing up his strengths as an incompetent goofball. He adds a self-centered side that adds to Jay Chou’s (as his partner Kato) status as the real hero here.
More subjectively, I had a good time watching this, I laughed a lot and director Michel Gondry does some nice camerawork, but I can’t really see myself sitting around some afternoon thinking, “Man, I could definitely watch The Green Hornet right now.” Yet I’ll happily check Netflix Instant to see if 2012 is available (it is!). That’s one of the things I have to do when I’m wearing my critic hat (which looks exactly like a wizard hat): do my best to separate what’s (semi-objectively) good from the stuff that I just like for no damn reason.
Otherwise, I would be recommending a lot of actiony bullshit everyone else hates. I mean, more than I already do that.
Theorem: No matter how minor your authority on the internet, you will attract trolls.
As The Critic of Pure Reason, I’m hardly one of the web’s elite movers and shakers. I think I get a few thousand reads a month. If internet popularity were understood through a metaphor for high school popularity, then I am the third-string tight end who the cool guys might nod at in the hall but mostly has to pass the lunch hour reading The Lord of the Rings in the shade of the auxiliary building.
But here’s the latest comment I’ve got on one of my reviews: “Your Fedora does not look good on you, you lack the ‘Distinguished Gentleman’ look, give it up man.”
(For context, the Herald uses a picture of me in my fedora.)
It’s the only comment on that review. It was not a comment on the movie, True Grit. It was not even a comment telling me I have a stupid opinion about True Grit. It is a comment telling me I look bad in my hat.
I’m not surprised or even insulted. Over at The AV Club, if there’s an interview with a woman, you can bet your one and only life that 30-60% of the comments will be about how hot she is, how ugly she is, or her ultimate boneability.
I can’t say whether this attitude is driven by our culture, the medium of the internet itself, or the intersection of the two. (Well, yeah I can. It’s that last one.) If this is what the internet’s about, I wish I could spend less time on it.
Finally got my copy of The Aether Age: Helios in the mail today. It’s a gratifying experience to have your work between the covers of an actual hardcopy book. I’m glad I’m around right before ebooks have the chance to push paper books toward obscurity.
I’m going to read the hell out of this in the next few days.
My great uncle died earlier this year. I was named after him. I have pictures of him grinning as he held a two-month-old me in his arms. I wasn’t that said when he died.
Give me a second. I knew I would never see him again. He wouldn’t fly up from California to Washington for Christmas ever again; his last batch of home-brewed champagne was his last. His sharp eyes and trim mustache were gone.
But he was 96 years old. He’d been married to the same woman for over 50 of those years. He’d held down a job with McDonnell for decades; he’d traveled to India and Turkey and the Galapagos and everywhere; he loved to read, to make that champagne, to take photos of his home and all those places he saw around the world, and to write–especially doggerel poetry. He was a brilliant, healthy man into his late 80s, but eventually every time I saw him, he seemed to have lost another step. Five years ago, he broke his hip and I flew down to clean up his house to where he could navigate the clutter of slides and furniture and magazines from a wheelchair or a walker. He had no chronic illnesses, but every year, I heard about some new malady or injury. This year, he came down with pneumonia in both lobes of both lungs. Eventually, he decided to stop treatment. My mom, his niece, was there with him when he went out on his own terms.
I’ll miss him. But it’s hard to feel too sad when you know he had the kind of life you can only hope for yourself.
Even though, being an amateur writer himself, he was especially sympathetic towards his grand-nephew who idiotically wanted to make it a career; he encouraged me to keep a notebook, seemed delighted when I flew down to L.A. for writing courses in middle school, eventually helped pay my way through a fiction degree at a ridiculously-priced East Coast New Ivy university.
He made my life better, and now he’s gone.
But he’s still helping me. I recently moved to his house in a beach town south of L.A. I could never afford this place on my own, but an hour after sunset, I went out on the rickety deck to feel the 68-degree weather and try to convince the backyard squirrel to come up the stairs and eat some cashews. A few blocks down the hill, I heard sirens. Police hollered into bullhorns for someone to come outside.
Strange–this is an affluent community in the South Bay. From the deck, I can see houses worth $10 million. But a few minutes later, I saw lights cutting through my curtains, bullhorns calling people outside. I thought we must have a criminal in the brushes, some wife-beating, liquor-store-robbing fugitive, but the same way we all show up to watch somebody’s house burn down, I went outside.
A minute later, a cop car rolled down the block at five miles per hour, demanding we all step outside. His car towed a man in a Santa costume behind it.
No government’s that good. It’s absurd to blow what–$10,000?–on some stupid, silly annual stunt, especially in the throes of a recession that’s given rise to a whole party of people who think government spending should be slashed to the bone.
But I’ve never trusted the police. Who knows, I could end up arrested some day, possibly for crimes I don’t believe in. I’ve been drunk in public a few times. I commit some traffic violation every day I’m on the road. I’ve had a few friends arrested for possession of weed over the years; it’s not something I’m into, but I know these people, and I know a stupid green drug isn’t enough to make them a criminal. Unless enjoying bad movies is a crime. Just by associating with them I might end up cuffed.
If I am, for whatever reason, someday arrested, I’ll lean forward and peer through the grille from the back seat. It probably won’t be worth the $10,000 it cost the city every year. But it’ll mean something to see the man who arrested me once also rolled down my block, demanded I come outside, and showed me Santa Claus.





